- 13 actors have been in another Wes Anderson movie
- Bill Murray
- Jason Schwartzman
- Tilda Swinton
- Jeff Goldblum
- Edward Norton
- Bob Balaban
- Anjelica Huston
- Roman Coppola
- Frances McDormand
- Kara Hayward
- Harvey Keitel
- F. Murray Abraham
- Fisher Stevens
- 6 actors have all been in the last 3 Wes Anderson movies
(Isle of Dogs, The Grand Budapest Hotel & Moonrise Kingdom):
- Bill Murray
- Jason Schwartzman
- Tilda Swinton
- Edward Norton
- Bob Balaban
- Harvey Keitel
- Owen Wilson and Roman Coppola are now tied with the number of movies written with Wes Anderson (3) and both have been nominated for an Oscar.
- Owen Wilson: 2002 Oscar Nominee for Best Writing, Screenplay Written Directly for the Screen: Wes Anderson, Owen Wilson [The Royal Tenenbaums (2001)], Rushmore, Bottle Rocket
- Roman Coppola: 2013 Oscar Nominee for Best Writing, Original Screenplay: Wes Anderson, Roman Coppola [Moonrise Kingdom (2012)], Isle of Dogs, The Darjeeling Limited
- Wes Anderson uses the same cinematographers.
- Tristan Oliver: Isle of Dogs & Fantastic Mr Fox
- Robert D. Yeoman: 2015 Oscar Nominee for Best Achievement in Cinematography: Robert D. Yeoman [The Grand Budapest Hotel (2014)], Moonrise Kingdom, The Darjeeling Limited, The Life Aquatic with Steve Zissou, The Royal Tenenbaums, Rushmore, Bottle Rocket
Written by Mitch Glazer, Bill Murray and Sofia Coppola, and directed by Sofia Coppola, A Very Murray Christmas is an homage to the classic variety show featuring Bill Murray playing himself, as he worries no one will show up to his TV show due to a terrible snow storm in New York City. Through luck and perseverance, guests arrive at the Carlyle hotel to help him; dancing and singing in holiday spirit.
How can this NOT be awesome?!
On Friday, December 4th, Bill Murray and his celebrity friends will be bringing the holidays to naughty and nice fans around the world with the Netflix original holiday special, A Very Murray
Alex, Emily, and their son, RJ, have recently moved to Los Angeles’ Eastside from Seattle. Feeling lost in a new city, they are desperate to find their first new friends. After a chance meeting with Kurt at the neighborhood park, they gladly agree to join family pizza night at the home. But as it gets later and the kids go to bed, the family “playdate” becomes increasingly more revealing and bizarre as the couples begin to open up.
The Overnight was one of the first movies I saw at the Tribeca Film Festival this year and it started off my viewing with a bang. The spirit of an indie and the laughs of a blockbuster, this comedy takes you on an unexpected journey of non-stop hilarity.
I attended the sneak preview of the film with a Q&A that followed with Writer/Director Patrick Brice, Adam Scott, Jason Schwartzman, Producer Naomi Scott and Judith Godrèche. Here are some of the highlights:
- Judith Godrèche & Jason Schwartzman hadn’t met prior to the first day on set
- It was shot mostly at night in 12 days with no rehearsing in basically chronological order
- Writer/Director Patrick Brice at one point deleted a 70 page draft and had to retype from memory.
- Production Designer Theresa Guleserian drew all Kurt’s paintings in one day
- Almost exclusively lit with practical light
- Movie that made Adam Scott want to be an actor – Raiders of the Lost Ark “That’s what I want to do.” Later, he makes note that the first audience that made an impression was War Games. “It was so exciting in the theater.”
- Jason Schwartzman never really thought of himself as an actor because he thought actors were in big movies and were like Arnold Schwarzenegger. He was more into music. “Cable always played the weirdest movies.” Dog Day Afternoon made him want to get into acting.
- Patrick Brice also has a completely different type of movie, the horror, Creep, coming to VOD June 23rd and to Netflix July 14th.
My impressions of the Q&A:
- Jason Schwartzman is just as adorable as you would imagine he is.
- Adam Scott has an amazing voice that carries well and commands attention but is actually very soothing.
- Judith Godrèche is incredibly sweet and must have been a pleasure to work with.
- Patrick Brice will give us many more thought-provoking movies in the future.
Q&A with director Patrick Brice, actors Adam Scott, Jason Schwartzman, Judith Godreche, and producer Naomi Scott
8pm – Walter Reade Theater, Lincoln Center, New York, NY – Buy tickets here
Seattle transplants Alex and Emily (Parks and Recreation’s Adam Scott and Orange Is the New Black’s Taylor Schilling) are settling into their new Los Angeles life with some difficulty (their young son makes friends more easily than they do). The two are overjoyed when outgoing fellow parent Kurt (Jason Schwartzman) invites them over for a dual playdate—one for the kids and one for the adults. Things take a turn for the bizarre when Kurt and his elegant French wife Charlotte (L’Auberge Espagnole’s Judith Godrèche) suggest putting the children to bed and continuing their couples date. The rare contemporary comedy that does not outstay its welcome, writer/director Patrick Brice’s second feature (after last year’s found-footage thriller Creep) capitalizes on Scott’s proven straight-man abilities and Schwartzman’s patented confidence, with art-house darling Godrèche more than holding her own amid seasoned comics. A The Orchard release.
It was a fabulous eleven days filled with movies and interviews, and now it’s time for us to reflect on our favorites. Enjoy!
Grandma – releasing August 21st
Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott.
We’ve only gotten a tease of Tomlin over the past few years, but she’s back with a comedic performance that rivals any dramatic one. So wrong, yet so perfect, her delivery gives the dialogue an extra edge that almost makes you feel guilty as you laugh out loud. I can’t wait to see her and Jane Fonda in Grace and Frankie on Netflix. – Melissa
Tomlin is an indisputable legend. Her comic timing is like watching Mozart create a symphony. This film is an absolute gem that tackles so many relevant issues without one ounce of preachiness. I have always been a huge fan and I am crossing my fingers this garners her an Oscar nod. -Liz
Man Up – releasing May 29th in the UK, no US release set
When perpetually single Nancy (Lake Bell) is mistaken for a charming stranger’s (Simon Pegg) blind-date, she just goes with it, leading to a series of escalating adventures for the two mismatched lovebirds in Ben Palmer’s hilarious romantic comedy.
This could have been another boring rom-com, but the trifecta of story, dialogue and performances make it my new favorite “meet cute.” – Melissa
Pegg and Bell are an unlikely duo but let me say this is perfect casting. Their chemistry is super believable and laugh out loud funny from start to finish. Do not pigeon hole this flick, it is a riot for everyone. -Liz
The Overnight – releasing June 19th
Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott.
Filled with many twists and turns, you won’t know where the next laugh will take you as these two couples get to know each other. Sharing their hopes, fears and extracurricular hobbies, it all happens so naturally and with the utmost hilarity. – Melissa
This crazy funny adult comedy puts to rest the notion that hyper-sexual has to be boring or slapstick. This is actually a really thoughtful script and with a cast like this, you cannot go wrong. -Liz
Sleeping With Other People – releasing August 21st
Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne.
The “platonic friends” comedy is so overdone, but it’s been reborn with Jason Sudekis and Alison Brie. With over-the-top intimate dialogue, honesty is the best policy when it comes to modern relationships. One of the funniest movies of the year. – Melissa
This film may appear to be formulaic at first glance, but I assure you, you have no idea what you’re in for. One of the best and most honest pieces of dialogue since This is 40, Sudeikis and Brie kill it with the funny as two people with some serious intimacy issues. -Liz
On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.
Make sure you pay attention and get ready for dialogue that is a hyper-intellectual mental workout. It’s heavy but hopeful and filled with brilliant performances.- Melissa
This film’s multiple narrative style is something reminiscent of Traffic or Third Person. Beautifully based on philosophical notions, the audience is treated to a peak inside the lives of a handful of New Yorkers. With a jam packed cast of superb talent, Tim Blake Nelson brings everything to the table and succeeds, wildly. – Liz
Sarah’s (Dianna Agron) mundane life in a Nevada desert town is turned upside down with the arrival of Pepper (Paz de la Huerta), a mysterious female drifter, who leads her into a life of seedy strip clubs and illicit drugs. Their passion inspires Sarah to break free of her past and seek out a new life of her own.
It’s a story that could be told of any small town. It never attempts to explain anything, which actually gives it much more credibility. – Melissa
In Agron’s first truly adult role, she shines as a small town girl trying to find her escape. Big dreams and little self esteem lead to a complex script and a stellar performance. -Liz
Pierre Hunter (Anton Yelchin), a bartender with unyielding optimism, returns to his tiny hometown after his parents’ death. When he falls for the enigmatic Stella (Zooey Deschanel), Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal (John Hawkes), and a mystery that will determine all of their fates. With Alia Shawkat, Frank Langella, Aubrey Plaza, and Ciarán Hinds.
To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next. – Melissa (read full review here)
Sarah and Phil’s son goes missing, shattering their life together and forcing each to find their own way to cope. Cinematographer-turned-director Reed Morano presents a masterfully crafted contemplation on a relationship strained to the breaking point. Olivia Wilde and Luke Wilson capture the unraveling emotions with remarkable power, alongside Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever.
This emotionally heavy story will kick you in the gut. How does one cope after the loss of a child? Do marriages survive? Can we be saved? These are all questions in an intense script lead by a masterful performance from Wilde. Following up her insane roller coaster role in Third Person, Wilde proves once again that she’s way more than a pretty face. Cast her in all the things, immediately! – Liz
Years after the accidental death of her folk-singer husband, Hannah (Rebecca Hall) has yet to fully accept her small-town life without him. Then she is approached by a charming New York writer (Jason Sudeikis) intent on penning a biography of her late husband’s life, and Hannah finds herself opening up again. Also featuring performances by Dianna Agron, Blythe Danner, Griffin Dunne, Joe Manganiello, and Richard Masur.
This was a film near and dear to my heart, based on plot and circumstance. The filmmakers and cast hit the nail on the head when it came to recreating a small New England town in Maine and the effect a death has upon it’s entire population. Loss and grief are combined with super smart writing. Sudeikis and Hall own these roles. – Liz
Fúsi is a mammoth of a man who at 43-years-old is still living at home with his mother. Shy and awkward, he hasn’t quite learned how to socialize with others, leaving him as an untouchable inexperienced virgin. That is until his family pushes him to join a dance class, where he meets the equally innocent but playful Sjöfn.
Heartbreaking, yet hopeful, this Jury award winner for narrative and lead performance will grab ahold of you and squeeze. – Melissa
This was one of the most endearing films I’ve seen lately. The “I think I can” attitude and transformation of the lead is so compelling from the very beginning. You cannot help but root for this character. -Liz
Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash-strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.
Christopher Walken is charming and tragic. The dialogue is so subtle and natural, you’d think you were watching a documentary. The dining table scene alone is worth the price of admission. – Melissa
The tremendously organic dialogue in this film is top notch. It’s an honest portrait of family dynamics we can all relate to on some inherent level. Walken is a gem, as always, and I was blown away by Heard’s level of comfort behind a guitar and piano. Color me impressed.- Liz
Backtrack – acquired by Saban Films
In this spine-tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.
I liked this film as the credits rolled. Speaking of credits, the opening sequence is one of the most beautiful and creative I’ve seen in some time. As I hashed out all the little moments in the script, the makeup, the music, I adored this film. Very smart writing and some really nicely timed jump scares. File this film under paranormal- thriller. -Liz
Hungry Hearts – releasing June 5th
After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger.
Told like a 70s horror flick, this is a Rosemary’s Baby kind of scary. Crazy camera angles and eerie music make this a very unsettling story that will leave you shivering. – Melissa
Traditional and labor-intensive, the production of Saké has changed very little over the centuries. Erik Shirai’s love song to the artisans who have dedicated their lives to carrying on this increasingly rare artform follows the round-the-clock process for six straight months, offering a rare glimpse into a family-run brewery that’s been operating for over 100 years.
The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation. – Melissa (3 docs you must see)
Visually breathtaking with a whole lot of heart, this doc was so enjoyable for me to watch. It is akin to a work of art and could easily (and should be) shown on a constant loop in museums. -Liz
At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?
Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it. – Melissa (3 docs you must see)
Crocodile Gennadiy, real-life, self-appointed savior, who works tirelessly to rescue homeless, drug-addicted youth from the streets of Mariupol, Ukraine. At the same time, he challenges dealers and abusers. Despite criticism, Gennadiy is determined to continue his work. Sundance Award-winning director Steve Hoover’s second feature is a bold portrait of a man on a mission.
Doing what’s right is the main point of this extraordinary documentary. Saving the lives of innocent children that are being taken advantage of by a broken system mired in poverty, Gennodiy is the perfect example of what religion should look like. – Liz (read interview here)
In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film.
The bravery of these people to be on film, speaking in the manners they do is enough to cheer for. Getting an honest look inside a corrupted political system outside our own is astonishing. Take note America.- Liz (read review here)
In the fall of 2005, 21-year-old Ryan Ferguson received a 40-year prison sentence for a murder that he did not commit. Over the next ten years, his father Bill engages in a tireless crusade to prove Ryan’s innocence. Interspersed with footage from the Ferguson family archive, Andrew Jenks’ film looks at the personal consequences of a wrongful conviction.
One of the most frustrating docs to watch, you learn just how lost our justice system can be. Unexpected and shocking, the combination of footage, audio, and interviews makes for one hell of a story. -Liz (read review & interview here)
While perhaps best known for its eminently quotable films, Monty Python has performed its signature, surreal humor in live shows since the group’s earliest days. Dive into the history of Python’s stage work and the genesis of some of its most well-known pieces as they prepare for their last-ever live show. Monty Python: the Meaning of Life is a hilarious and illuminating survey of the process behind the Python.
I saw my first Monty Python films at the age of 13. Why it took me that long, I’ll never know. I have my theater friends to thank for introducing me into a world of absolute insanity and brilliance. This is an awesome look inside the relationships between some of your most memorable laughs and the men behind them. -Liz
Millions of Americans clung to the hope that Elvis Presley faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay explores a life led in service to those who couldn’t let Elvis go.
Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own. – Melissa (read review here)
For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.
Fair warning: bring an entire box of tissues with you to this truly important and thoughtfully crafted film. If most of us are being honest, usually when we see commercials for St. Jude’s Children’s Hospital we change the channel, but in this instance we come to know and love the members of the Green family. Understanding “That Dragon Cancer ” is the only way to help save lives and support those on their journey. Using art as an outlet for grief is a transformative way to share an experience, good or bad. – Liz
The Wolfpack – releasing June 19th
Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed.
Something about this film grabbed my heart and held it for it’s entirety. These kids are among us here in NYC, but you’d never know since they’ve been essentially held captive their entire lives. The intense detail in which these brothers re-create their favorite films is unreal. Their passion and intelligence should be on view for all the world to see and enjoy.- Liz
Re-releasing in theaters, The Grand Budapest Hotel is one of my favorite films of 2014. Now it’s been nominated for an Oscar for Best Picture, Best Director, Best Actor, Best Screenplay, Best Editing, Best Production Design, Best Costume, Best Makeup & Hairstyling and Best Original Score. So it’s safe to say, people like it. When speaking with the cast for the original release last March, the cast spoke almost exclusively on how much they loved working on this movie. Here are some of the best moments. Enjoy! Read More →
I was lucky enough to attend the press junket for Tim Burton‘s new film, BIG EYES (review coming soon!). Afterwards, I had the opportunity to sit down with the incredibly talented and successful writing partners Larry Karaszewski and Scott Alexander. Read More →