Tribeca Festival 2021 Review and Interview: Director Nick Moran talks ‘Creation Stories’

CREATION STORIES

Creation Stories tells the unforgettable tale of infamous Creation Records label head Alan McGee; and of how one written-off young Glaswegian upstart rose to irrevocably change the face of British culture.

I was immediately charmed by director Nick Moran after congratulating him on Creation Stories. “Oh, Thank You! I was very concerned about whether it would work with American audiences, ya know because Trainspotting didn’t work as big as it did over here. And ya know, Lock, Stock, (and Two Smoking Barrels) didn’t work as big as it did over here. So I’m like, are they gonna get this sort of Brit Pop-tastic film. And I’m really excited that everyone I’ve spoken to has really, really liked the film.” I assured him that any cinephile in the US knows what those Trainspotting and Lock, Stock are. I was hard-pressed to find a wall in college without one or both of those posters plastered on them. It was a cultural phenomenon in the late 90s. These films opened the minds of countless fans and future filmmakers.

Creation Stories is of a similar ilk. The film’s pace is like a runaway freight train, easily identifying itself as an Irvine Welsh script. In an early scene, young Allen discovers the Sex Pistols. There is joyous, visceral energy to the editing. Moran was the perfect choice for director. After having spoken with him, it all makes even more sense now. This matches Nick’s personal energy. The entire viewing experience of Creation Stories brought me back to when I was in high school and got riled up on the way to live shows or just listening to bands like Oasis. Having to wait in front of the radio for a song to play, that buzzy anticipation isn’t something today’s generation experiences.

Allen McGee was a hustler and a dreamer. But also an addict. His vices were drugs and alcohol, but also risk. His innate ability to take risks on bands changed the face of music. His influence reached beyond the music industry. McGee had his hands in more than the music scene. His stories are so wild you’d almost believe that they were total BS. Ewen Bremner nails this role. He captures Allen McGee‘s dizzying aura. Allen went from a kid excited about music to establishing an inspired empire. Bremner leaves it all on the screen surrounded by a cast of brilliant players like Jason Isaacs, Suki Waterhouse, Leo Flanagan, and many more, including a brief but memorable appearance from Nick Moran as Malcolm McLaren. The way Moran harnesses Welsh and Dean Cavanagh‘s script melds so well with the era. Bringing on Danny Boyle solidified the film version. The drugs, the parties, the hair, and clothing. The entire look of the film has the impression of what I imagine a really great acid trip feels like. It’s a whirlwind. I cannot begin to imagine what was shot and not used! I would not be mad at an eventual director’s cut version.

Let’s talk about the music. The soundtrack is nothing short of a hit. Combining tracks from The Jesus and Mary Chain, David Bowie, Sex Pistols, and yes, Oasis, Moran explains how he chose what would be featured in the film. “It wasn’t much of a learning curve for me, It was more of a case of going through the record collection I’ve already got, brushing the dust off a few of them, and going, ‘Well, what about this?’ ” He perfectly sums up Creation Stories by saying, “If you don’t know that music, then it’s a great discovery!” It’s a celebratory history lesson in a way.

You can watch Creation Stories through Tribeca At Home beginning tonight. Check out the trailer for a taste of what’s to come.

Available Starting

Wed June 16 – 8:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA

Purchased films remain available to stream on-demand from the above date through June 23

 

Review: ‘Wonder Woman’

With the DC cinematic universe hanging in the balance, Warner Bros. put their faith in director Patty Jenkins and actress Gal Gadot to bring the long overdue first Wonder Woman movie to the big screen and deliver they did. The film is exciting, humorous, beautifully filmed and one of the best superhero films so far. If we’ve learned nothing else, we know now to never send a man to do a woman’s job.

The film opens with a young Diana learning the ways of the Amazonians. Raised by her mother, Hippolyta, Queen of Themyscira (Connie Nielson), Diana has been sheltered from the warrior ways of her people. Her Aunt Antiope (Robin Wright) is the finest general in the Amazonian army and determined to teach Diana to defend herself against her sister’s wishes. A reluctant Hippolyta agrees to Diana’s training as long as she is trained harder and more vigorously than any Amazonian before her. Now grown, Diana (Gal Gadot) begins to learn the challenges of her position and comes to understand that there is a power in her greater than she’s ever known.

A plane is shot down and crashes off the coast of Themyscira and pilot Steve Trevor (Chris Pine) finds himself rescued by Diana and faced with the explaining his uninvited entrance.  A German warship captained by general Ludendorff (Danny Huston) has followed Trevor’s downed plane to find Themyscira and the Amazonians, setting their sights on annihilation of the foreign foe. Driven back for the time being, Trevor must confide in Diana and the Amazonians as to why he is there and to the severity of his mission. Knowing she cannot sit by while a world she knows nothing about is destroyed, Diana sets off with Steve Trevor to enter the war and stand up for those who cannot help themselves.

And the film’s just getting started! What follows can easily be taken as a spoiler to some so we’ll stop the summary right there. Director Patty Jenkins has created a wonderfully empowering film for women everywhere, a rarity in Hollywood, and one that should and will be celebrated. Gal Gadot is the perfect embodiment of Diana Prince and a true treasure to behold. Gadot’s portrayal is a strong symbol of the importance of Wonder Woman in pop culture and the feminist movement and young children to look up to. Chris Pine is marvelous with his witty humor and his tried and true valor. Pine compliments Gadot’s performance perfectly and never overshadows.

Overall, Wonder Woman is a near perfect superhero film and a bright shining light in the dismal DC cinematic universe so far. A film that hearkens back to the spirit of Capatin America: The First Avenger while never feeling or trying to be a retread. Wonder Woman is a true gem.

Stars:

4 out of 5

After Credit Scene?

None

Trailer: