Watch Oscar-nominated ’13th’ on Netflix and a conversation with Oprah Winfrey with Ava DuVernay

13th opened last October’s New York Film Festival and is now available on Netflix. Tomorrow, Netflix has released a 30 minute conversation about the film with Oprah Winfrey and director Ava DuVernay.

Here is also the press conference from the NYFF:

NYFF54: ’13th’ opened the festival, but you can watch on Netflix today!

nyff54-13th-premiere-42With such a broad subject matter, it’s quite astonishing how director Ava DuVernay was able to weave “talking heads” with facts, figures and history footage into the coherent and thought-provoking documentary, 13th.

Starting with racism in the prison system, the film is about much more than that and covers a wide variety of issues that stem from the time of the 13th Amendment. Rather than go chronologically, the film flows from different topics but ties them all together in a way that is interesting and informative.

Let’s step back and acknowledge how incredible it is that this film opened the New York Film Festival and is available to watch just a week later on Netflix. How amazing is that? You don’t have to find an indie theater to see it. Anyone can see this with their subscription or even just sign up for a free trial to watch. For those in New York, it’s opening at the IFC Center with a Q&A with Jelani Cobb, Univ. of Connecticut professor and contributor to The New Yorker, at 7:55 show!

This film presents factual information in a way that is fair and unfortunately depressing, yet there is a sense of hope that cannot be mistaken. This is a must see.

Festival Director Kent Jones & 13th Director Ava DuVernay

Festival Director Kent Jones & 13th Director Ava DuVernay at the press conference

 

Opening Night ’13th’ from Netflix opens the New York Film Festival

13TH will premiere at the New York Film Festival on Friday, September 30, which is the first time a nonfiction work will open the festival. The film will launch globally on Netflix October 7, including a limited theatrical release.

Tickets still available!

Synopsis

The title of Ava DuVernay’s extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States…” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.

About Ava DuVernay

Nominated for two Academy Awards and four Golden Globes, writer/director Ava DuVernay’s most recent feature “Selma” was one of 2015’s most critically-acclaimed films. Winner of the 2012 Sundance Film Festival’s Best Director Prize for her feature “Middle of Nowhere,” DuVernay’s earlier directorial work includes “I Will Follow,” “Venus Vs,” and “This is The Life.” In Fall of 2016, her first television series as executive producer, writer and director, “Queen Sugar,” debuted on Oprah Winfrey’s network, OWN.  DuVernay distributes and amplifies the work of other people of color and women directors through her film collective ARRAY, named one of Fast Company’s Most Innovative Companies in Hollywood for 2016.

Netflix & New York Film Festival announce opening night film, the original documentary ‘The 13th’ from Ava DuVernay

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nyff 54 the 13th

The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 – October 16), making its world premiere at Alice Tully Hall. The 13th is the first-ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.

Chronicling the history of racial inequality in the United States, The 13th examines how our country has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African-American. The title of DuVernay’s extraordinary and galvanizing film refers to the 13th Amendment to the Constitution—“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States . . . ” The progression from that second qualifying clause to the horrors of mass incarceration and the prison industry in the U.S. is laid out by DuVernay with bracing lucidity.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “While I was watching The 13th, the distinction between documentary and fiction gave way and I felt like I was experiencing something so rare: direct contact between the artist and right now, this very moment. In fact, Ava is actually trying to redefine the terms on which we discuss where we’re at, how we got here, and where we’re going. The 13th is a great film. It’s also an act of true patriotism.”

From D. W. Griffith’s The Birth of a Nation (1915) and the rebirth of the KKK to the Civil Rights Movement, the 1994 Crime Bill, the rise of ALEC, and the Black Lives Matter movement, DuVernay traces a pattern of fear and division that has consistently driven mass criminalization. With a potent mixture of archival footage and testimonies from leading voices, including Michelle Alexander, Bryan Stevenson, Van Jones, Newt Gingrich, Angela Davis, Senator Cory Booker, Grover Norquist, Khalil Muhammad, Craig DeRoche, Shaka Senghor, Malkia Cyril, Henry Louis Gates, Jr., and a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.

“It is a true honor for me and my collaborators to premiere The 13th as the opening night selection of the New York Film Festival,” said Ava DuVernay. “This film was made as an answer to my own questions about how and why we have become the most incarcerated nation in the world, how and why we regard some of our citizens as innately criminal, and how and why good people allow this injustice to happen generation after generation. I thank Kent Jones and the selection committee for inviting me to share what I’ve learned.”

“Ava gives us a remarkable and ambitious framework for understanding why the U.S. represents 5% of the world’s population, yet is home to nearly 25% of the world’s prisoners. Her work has been tireless and passion-fueled and has resulted in a sweeping view at a tenuous time. We are honored to provide a global platform for this deeply urgent work,” said Lisa Nishimura, Netflix VP of Original Documentary Programming.

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor, Film Comment and Sight & Sound; and Gavin Smith, who serves as a consultant.

Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at filmlinc.org/membership.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at filmlinc.org/NYFF.

New York Film Festival Opening Night Films

2015    The Walk (Robert Zemeckis, US)
2014    Gone Girl (David Fincher, US)
2013    Captain Phillips (Paul Greengrass, US)
2012    Life of Pi (Ang Lee, US)
2011    Carnage (Roman Polanski, France/Poland)
2010    The Social Network (David Fincher, US)
2009    Wild Grass (Alain Resnais, France)
2008    The Class (Laurent Cantet, France)
2007    The Darjeeling Limited (Wes Anderson, US)
2006    The Queen (Stephen Frears, UK)
2005    Good Night, and Good Luck. (George Clooney, US)
2004    Look at Me (Agnès Jaoui, France)
2003    Mystic River (Clint Eastwood, US)
2002    About Schmidt (Alexander Payne, US)
2001    Va savoir (Jacques Rivette, France)
2000    Dancer in the Dark (Lars von Trier, Denmark)
1999    All About My Mother (Pedro Almodóvar, Spain)
1998    Celebrity (Woody Allen, US)
1997    The Ice Storm (Ang Lee, US)
1996    Secrets & Lies (Mike Leigh, UK)
1995    Shanghai Triad (Zhang Yimou, China)
1994    Pulp Fiction (Quentin Tarantino, US)
1993    Short Cuts (Robert Altman, US)
1992    Olivier Olivier (Agnieszka Holland, France)
1991    The Double Life of Veronique (Krzysztof Kieslowski, Poland/France)
1990    Miller’s Crossing (Joel Coen, US)
1989    Too Beautiful for You (Bertrand Blier, France)
1988    Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987    Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986    Down by Law (Jim Jarmusch, US)
1985    Ran (Akira Kurosawa, Japan)
1984    Country (Richard Pearce, US)
1983    The Big Chill (Lawrence Kasdan, US)
1982    Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981    Chariots of Fire (Hugh Hudson, UK)
1980    Melvin and Howard (Jonathan Demme, US)
1979    Luna (Bernardo Bertolucci, Italy/US)
1978    A Wedding (Robert Altman, US)
1977    One Sings, the Other Doesn’t (Agnès Varda, France)
1976    Small Change (François Truffaut, France)
1975    Conversation Piece (Luchino Visconti, Italy)
1974    Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973    Day for Night (François Truffaut, France)
1972    Chloe in the Afternoon (Eric Rohmer, France)
1971    The Debut (Gleb Panfilov, Soviet Union)
1970    The Wild Child (François Truffaut, France)
1969    Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968    Capricious Summer (Jiri Menzel, Czechoslovakia)
1967    The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966    Loves of a Blonde (Milos Forman, Czechoslovakia)
1965    Alphaville (Jean-Luc Godard, France)
1964    Hamlet (Grigori Kozintsev, USSR)
1963    The Exterminating Angel (Luis Buñuel, Mexico)

FILM SOCIETY OF LINCOLN CENTER
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

The Film Society receives generous, year-round support from American Airlines, The New York Times, The Kobal Collection, Variety, Loews Regency Hotel, the National Endowment for the Arts, and the New York State Council on the Arts.

Support for the New York Film Festival is also generously provided by Jaeger-LeCoultre.

For more information, visit www.filmlinc.org and follow @filmlinc on Twitter.

If I Chose the Academy Award Winners and Nominees – 2015 edition

I’ve now seen most of the films that had a release in 2014. This makes me more qualified to vote for the Oscars than 97.548% of the Academy’s membership. With the Oscar ceremony occurring tonight, I’ve picked, as I have the previous two years, who I think the nominees and winners should be in the bulk of the major categories. Once again, the foreign film category will be left off because I simply haven’t had access to enough foreign films to make a comment on them. Those that have made it to my neck of the woods, I will say, have been very good for the most part. Read More →