Review: ‘Narratives Of Modern Genocide’ forces us to stop talking and start listening.

Narratives of Modern Genocide

After the holocaust, the world said, “never again,” yet genocide is happening in the world right now. The stories we forget to tell, of the survivors we never knew, will haunt us until we listen and act. Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

Sichan’s Siv narrative is all too familiar. He suffered unimaginable losses at the hands of the Khmer Rouge, enduring forced labor and the eventual execution of his family. But for Sichan, it becomes a tale of bravery and audacity.  After a failed attempt to escape, he tries a second time, fleeing on foot for three days with only the sun and moon to guide him to Thailand. He is the epitome of “The American Dream”. After emigrating to CT then New York City, he would eventually end up working for President George H. W. Bush as a translator. Think about the gravity of his journey. He went from being persecuted by his native government to becoming a prominent figure in the American government. That’s extraordinary.

Gilbert Tuhabonye was just a schoolboy when he witnessed atrocities that will haunt any viewer. He was the fastest runner in his Burundi community and it served him well when escaping torture and the mass murder of his classmates and teachers. Now living in Austen, he is a motivational speaker, author, retired professional long-distance runner, and a cross-country and track coach. Gilbert also the co-founder of the Gazelle Foundation which provides clean drinking water in his homeland.

We think genocide isn’t as prevalent, but we must learn from our history. The release of this doc is eerily timed with the events of insurrection at the US capitol last week. We have to pay closer attention to the calls of violence. Our democracy is on the brink and vigilance is key. Narratives of Modern Genocide will undoubtedly punch you in the gut. Sichan and Gilbert’s stories are difficult to hear but they cannot be ignored. While this may seem like the story of two men, it is the history of too many. Combined with beautifully drawn animation and starkly contrasted news clips, this doc strikes a cord. It’s important. It must be shown to as wide an audience as possible. It must serve as a warning to future generations.

ON DVD AND DIGITAL
January 12, 2021

Review: ‘Girl With No Mouth’ has so much to say.

GIRL WITH NO MOUTH

In Girl With No Mouth, a group of children who suffer from deformities due to a toxic explosion, embark on an adventure in a war-torn post-apocalyptic region. The Turkish production comes from Can Evrenol, director of the successful TIFF Midnight Madness selection Baskin, and the horror film Housewife (currently available on Shudder).

This beautifully shot film tells the tale of a ragtag group of deformed children running from the evil Corporation responsible for their plight. Each is missing a key feature on their face, making for creative ways to communicate with one another. Captain finds Peri (our titular character) after she has fled her corrupt uncle’s clutches. With her father murdered and her uncle tracking her down to kill her, she escapes alongside her newfound friends. Captain is without eyes, Yusuf is missing his nose, and little Badger has no ears. This band of “Pirates” protects each other in search of sanctuary. Peace is coming, which means The Corporation must find any remaining children and destroy “the evidence” of wrongdoing.

Each child brings a different strength to their journey. Captain is a master tracker and relies on his heightened hearing to map. Peri uses science. Yusuf cooks and Badger scavenges. They happen upon an adult who is not a complete psychopath. The widow of the man responsible for all the agony caused by The Corporation. With her help and Peri’s engineering, can our group reach safety in time? The script is carefully crafted by director Can Evrenol and Kutay Ucun. There is undoubtedly a Peter Pan and The Lost Boys vibe to it. Add the tragic post-apocalyptic aspect and it goes from enchanting to unbelievably thrilling. You would never think this is the kind of film that would come from the director of Baskin. I’m so happy this film is now on people’s radars. I think it truly extraordinary.

This cast is outstanding. Their chemistry is pure magic. The film’s cinematography is simply stunning combined with a fantastic script, Girl With No Mouth is a captivating take of resilience and guts. You will be rooting for these kids. Their ingenuity and spirit are what hold you tightly to your seat. The finale strikes a gorgeous balance between heartbreaking and triumphant. Girl With No Mouth speaks volumes in a year where death and capitalism reign supreme. This film will have you cheering out loud at your screen. Do not sleep on this one.

 Girl With No Mouth is due to release on Blu-Ray, DVD and VOD across North America on December 8th via Indiecan Entertainment

 

INDIECAN ENTERTAINMENT focuses on independent, low-budget films. As a distributor, Avi Federgreen follows the same principle that earned him his reputation as a filmmaker; bringing audiences films they want to watch. Aside from the traditional distribution route, INDIECAN leans heavily on digital delivery. INDIECAN helps films find more opportunities with audiences through TV, Netflix, iTunes, websites, Facebook, Twitter, Instagram, and other social media platforms. INDIECAN’s vision is to not only support Canadian production but to encourage the viewing of quality independent films by North American audiences. Indiecanent.com

Review: ‘WEREWOLF’ is terrifying and profound.

In Werewolf, children liberated from a Nazi concentration camp have to overcome hunger, thirst, and vicious attack dogs in an abandoned mansion surround by the forest.

Werewolf is incredible from the very first frame. The fear is visceral in the visual presentation but especially in the performances from a cast of children. This is a new version of Lord Of The Flies as a group of Holocaust survivors lies in wait as they are stalked by attack dogs, and even one of their own. Hormones, trauma, hunger, and anger, all drive this riveting plot forward. It is easy to root for these kids. As a Mom, it made my heart race at every turn. I was sweating watching their ingenuity. Survival is not guaranteed especially when the threat comes from within. It was profound watching these young actors, at times, become as wild as the dogs they feared. Other scenes momentarily allowed them to be children again. This ensemble casts’ chemistry will blow you away. Adrian Panek has given us a thrilling gem. The writing is intelligent and enthralling. Your heart will be in your throat from beginning to end.

Adrian Panek’s intense WWII survival horror/thriller Werewolf is due to release on Blu-Ray, DVD, and VOD across North America on December 1st via Indiecan Entertainment.

ON BLU-RAY, DIGITAL AND DVD DECEMBER 1, 2020

The intense Polish film was an official selection of Fantastic Fest (where it was nominated for Best Picture) among many other fests, has won 11 festival awards worldwide, and been nominated for 14 more.

Review: ‘Thirst’ sinks its teeth into cult status.


The addict Hulda is arrested and accused of murdering her brother. After she is let go because of insufficient evidence, she meets Hjörtur, a thousand-year-old gay vampire. Together they fight a cult while being investigated by a rogue detective.

Gloriously gory and unapologetically in your face, vampire horror-comedy Thirst is a movie about a girl and her unlikely gay best friend. Poor Hulda just wants to stop being blamed for a bunch of murders and find someone to care about her for the right reasons. Poor Hjörtur just wants to play with his food, and as The Prince of Darkness, he can damn well do what he pleases. The performances are wildly funny and the chemistry between Hjörtur Sævar Steinason and Hulda Lind Kristinsdóttir is simply electric. The visual gags, quite literally, are unforgettable. The overt sexualization of the men is genius. If you know nothing going in, you know everything soon enough.

It could have been made by the same filmmakers as genre film fest favorite Fried Barry. The colors, the camera work, the visual mindfuckery. They are cut from the same weird and wonderful cloth. In Thirst, the amount of practical fx and blood are equal parts laughable and joyous. Genre fans will literally cheer. The relationship between Hulda and Hjörtur is what stays with me 12 hours after viewing. You could write an entire television series on their dynamic and I would be there to watch it. The climax of the film is nothing short of a spectacular splatterfest. Combined with the over the top power ballads(which I’m pretty sure is my favorite aspect), this is sure to reach cult status. Stick around once the credits start to roll. Your ears and eyes won’t be sorry.

Direct from a well-received festival run, where it played such fests as ScreamFest 2020, London FrightFest, and Out On Film, Thirst comes to DVD and Digital 12/1 from Uncork’d Entertainment.

From directors Steinþór Hróar Steinþórsson, Gaukur Úlfars comes a high-energy thrill fest with some of the most creative films to grace a screen in years. Hjörtur Sævar Steinason, Jens Jensson, Hulda Lind Kristinsdóttir, Ester Sveinbjarnardóttir, Birgitta Sigursteinsdóttir, and Birna Halldórsdóttir star.

Direct from a well-received festival run, where it played such fests as ScreamFest 2020, London FrightFest, and Out On Film, Thirst comes to DVD and Digital 12/1 from Uncork’d Entertainment.